fortyck

18 maja 2026 Forteczne klimaty (992)

Prawda o Egipcie, której oficjalna nauka nie widzi [Egipt 2026] - Dr Franc

Video released through the Elsewhere Vangelis site, courtesy of Laura Metaxa.

Laura Metaxa on May 17 4 years by Laura Metaxa It's been 4 years now without Vangelis. It took me time to understand deep down that he was no longer here to direct me or to pass on his light, which was always shining so bright. He was and still is such a strong presence and all those years I was intensely observing him sharing his convictions and values. Now it certainly is among my duties to protect and to preserve his personal archive for posterity and to rearrange things dear to him. His Legacy is and will remain alive, regardless of my involvement, that is the aim of my life. We see concerts organised using his name, as well as written narratives about him; I am sure Vangelis would not have consented and would have been on the opposing side, regardless of their legality or not. Being a man of strong emotions and also of high principles he would have been disappointed. Sooner or later, there will definitely be the right occasion when I will elaborate and describe in more detail the depth of his personality rather than recounted fragments of his persona that people pointlessly like to talk about or criticize, just because it is easy for them to do so. Today, a very special day, I wish to share with you a happy moment with Vangelis playing music; just a small clip from his very personal archive. - Laura Metaxa Video released through the Elsewhere Vangelis site, courtesy of Laura Metaxa. Żródło: https://elsew.com/data/latest.htm

VANGELIS (29.03.1943 - 17.05.2022) Dziś, tj., 17 maja 2026 r., przypada 4. rocznica śmierci Vangelisa

15 maja 2026 Forteczne klimaty (991)

Andreas Vollenweider - Treasures of the Archives – Part 32 🎵Treasures of the Archives – Part 32: Memories of ✨Father & Son Improvising | Zurich, Switzerland, 1979✨ "Through the many hours of improvising together with my father, it became self-evident to me at a very early age that music is a language through which one can express the truly important things that lie deep within our soul. There was a time, however, when I would have much preferred to go fishing with my father, or cycling, or simply do all the things other children did with their dads. But he was so profoundly immersed in music that, quite simply, nothing else existed. If you wanted to have a relationship with him, you had to make music with him. And so it was in music that we grew close—perhaps in a way we would never otherwise have experienced. Victor Hugo, the French poet, expressed it like this: ‚Music expresses that which cannot be said and on which it is impossible to be silent.‘ The recordings for this short video were made in 1979. We were playing in the Grossmünster in Zurich, on the organ that my father had once designed and on which he played until the end of his life. It was also there that we recorded our only album together, ‚Traumgarten (Garden of Dreams)‘. The artwork for the album was created by my grandfather — so in a way, it’s a bit of a family album.“ – Andreas

Kitaro - Matsuri [Live] (Remastered)

12 maja 2026 Forteczne klimaty (990)

9 maja 2026 Forteczne klimaty (989)

Andreas Vollenweider - Treasures of the Archives – Part 31 🎵Treasures of the Archives – Part 31: Memories of ✨“Angoh!“ | Bonn, Germany, 2022✨ "June 5, 2022, Bonn, Germany. The Covid crisis had passed, and we were finally able to perform larger concerts again — what immense joy. There are moments when you feel, to your very core, what deeper purpose you have, and you are lifted up and carried into an indescribable flight. The boundaries between audience and musicians dissolve into a wonderful sense of unity. What could be more beautiful…“ – Andreas

6 maja 2026 Forteczne klimaty (988)

3 maja 2026 Konstytucja 3 Maja (6)

Andreas Vollenweider - Treasures of the Archives – Part 30 🎵Treasures of the Archives – Part 30: Memories of ✨"Come to the quiet place" | Zurich, 2020✨ "October 2020. A date of global significance. We had just released our album ‚Quiet Places‘ and my first novel ‚Im Spiegel der Venus‘, when the coronavirus struck. Fortunately, we managed to give a private concert for a small audience at the Millers Studio in Zurich, Switzerland, only days before the lockdown, and were still able to celebrate both releases. ‚Come to the Quiet Place‘ is from the album of (almost) the same name. I must confess, at that time, I was going through a somewhat floating phase. That probably has to do with my age as well — after all, I am a grandfather… I had already begun some time earlier to enjoy this sense of floating; the music still has some kind of form, but it is a drifting one, like the waves of the sea that surge toward you only to withdraw again. This piece is also a good example of how we make music: there are structural elements, but we remain completely open in how — or if — we shape them. Unexpected elements may appear — and disappear again. We call this ‚thematic improvisation‘. You could say it is something like the secret formula behind our music…" – Andreas